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The arts are resilient and do not disappear in wartime. If anything, they assume greater importance than in times of peace.
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Church and Composers
Thoughts about composing music for Christian communities today.
Questions to John Rutter: Advice for young composers
Today’s young composers could probably give me advice…
Come and Sing with John Rutter – Pimlico
Join us for a unique opportunity to sing with Sir John Rutter and singers from The Bach Choir. We’ll sing some of John’s folk-song cycle The Sprig of Thyme and a sneak preview of his new work Dancing Tree together with a mixture of familiar favourites to bring some midsummer sunshine.
Glasgow University Chapel Choir performance – conducted by John Rutter
A short performance of Rutter’s Missa Brevis and other Rutter choral works, sung by the Glasgow University Chapel Choir and conducted by John Rutter CBE. The St Andrew’s Foundation is delighted to welcome John to the University of Glasgow as part of his work with the National Schools Singing Programme. John will have spent the day… Read more »
Masterclass with John Rutter – Parma
AERCO Choral Academy is offering participants an opportunity to perform John Rutter’s Requiem in Parma.
John Rutter Masterclass: The Rodolfus Foundation
This is a non-residential choral course, for adults, (running from Thursday 11th – Sunday 14th April) and will consist of four intensive days of choral singing in full-choir rehearsals, and sectionals; individual singing lessons are also available. The course is based at Holy Sepulchre, the National Musician’s Church in Holborn, with services at Southwark Cathedral… Read more »
Fauré and Rutter Requiems concert – Oxford
Hear soloists Mary Bevan and Gareth Brynmor John, with the Choir of Merton College, Oxford, and The Oxford Philharmonic Orchestra, conducted by John Rutter, in the wonderful setting of The Sheldonian Theatre. Rutter Requiem Fauré Requiem in D minor, Op. 48 (ed. John Rutter)
Come live with me
for SATBB (with divisions) and cello Rutter brings humorous chromatic inflections to this lively song that harks back to mid-century harmonies and barbershop quartets. The double bass, as presented in the composer’s Birthday Madrigals, has been replaced by an idiomatic cello part for this volume. Offprinted from Music for Choir and Cello.
Christmas Quiz: The Answers
A very happy new year to you from John and all the team!