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Rise up, Shepherd, and follow

This setting perfectly captures the essential simplicity of this Christmas spiritual, with a wordless chorus backing a solo baritone. Also available in 100 Carols for Choirs.

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Skylark

John Rutter’s timeless arrangement of Hoagy Carmichael’s Skylark, a standard of the golden age of American song, is rich, mellow, and mellifluous. Soaring lines for flute depict the eponymous songbird, and the classic Hoagy Carmichael tune is shared between solo voice and choir, the latter also often providing a cushion of evocative harmonies.

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Nativity Carol (SATB)

Written in 1963, this was one of John Rutter’s earliest pieces. Also in Carols for Choirs 2 and 100 Carols for Choirs. There are also versions for upper voices (SSA) and unison. The string accompaniment, which is available for sale and hire at the OUP link below, may be used with W91 (SSA) and X169… Read more »

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In the bleak midwinter – Harold Darke, arr. John Rutter

There can be few more delightful presents than a piece of music. Even so,when Margaret Agnes Calkin, friend of the youthful Harold Darke, received In the Bleak Midwinter as a gift from the composer one Edwardian Christmas long ago, could she ever have guessed that a century later this delightful carol-anthem would be sung throughout… Read more »

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The Lord bless you and keep you (upper voices)

This is a two-part version John Rutter’s much-loved setting of the Aaronic Blessing (Numbers 6: 24). Available in versions for SATB, upper voices and SA and Men The piece is also included in The John Rutter Piano Album, arranged for solo piano.  

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Silent Night (accompanied)

This arrangement of Gruber’s timeless carol is warm and gentle. The first two verses are accompanied by gentle arpeggiated figures, leading to a third and final verse which is given profound depth through its largely unaccompanied scoring. The carol was recorded by the Cambridge Singers, directed by John Rutter, on the The John Rutter Christmas… Read more »

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Battle Hymn of the Republic

Setting this classic American patriotic song, which dates back to the Civil War, Rutter makes prominent use of trumpets and percussion to create a rousing arrangement. The setting is equally effective when accompanied by the two keyboard parts of the reduced vocal score, which may be performed by two pianos, piano and organ, piano and… Read more »

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Creation’s Alleluia

Setting words by the medieval monk Notker Balbulus in a translation by J.M. Neale, Rutter creates an uplifting song of praise. Gentle organ arpeggios are set skilfully against carefully wrought choral lines, leading to a dramatic finale. Creation’s Alleluia is suitable for any worship service.

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