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This album explores the secular works by Rutter: Fancies is an Elizabethan poetry cycle; When Icicles Hang sets texts by Shakespeare and Campion; the Five Childhood Lyrics set a group of simple rhymes in a spirit of fun and fairytale; and the six-movement Suite Antique for flute, harpsichord and strings ranges from simple, classic ‘aria’ to upbeat ‘jazz waltz’.
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Q&A with John Rutter
John answers 10 questions he’s asked most frequently.
Questions to John Rutter: First Musical Memories
In this blog, John tells us about his first musical memories.
Questions to John Rutter: Any regrets?
There were at least two roads I didn’t take that stand out in my memory…
Sheet Music for I Sing of a Maiden
An introduction to each new carol included on the ‘I Sing of a Maiden’ new digital EP, written by John.
Messiah 24 hour ‘Drop In’
In September 2023, John Rutter concluded the first MESSIAH 24 hour “Drop-In” on hours 23 and 24. It was an emotional end to a remarkable 24 hours in aid of the Portico Appeal at Handel’s Church, St. George’s, Hanover Square, raising almost £10,000. So we are doing it all over again. We now invite singers… Read more »
Jesus Child (SATB)
Caribbean music became widely popular in Britain from the 1950s, and this carol shows its influence. This carol is also available in Carols for Choirs 3 and 100 Carols for Choirs. The piece has also been arranged for upper voices and for unison. All the instrumental accompaniments are available for hire at the OUP link… Read more »
Fauré: Libera me from Requiem (ed. John Rutter)
One of the most famous movements from the Fauré Requiem. Dating from 1877, the Libera me was originally an independent composition for baritone and organ.
The holly and the ivy
The instrumental material is available to hire/rent at the OUP link below. Orchestration: fl.ob.hp-str A different arrangement, not compatible with the instrumental accompaniment, for SSAA and piano (opt.) is only in Carols for Choirs 4.
It was a lover and his lass (SATBarB)
No. 1 of Birthday Madrigals. Rutter’s music captures the varied moods of Shakespeare’s words, with their rapture, sorrow, humour, and vitality, in a way that makes these classic madrigal texts come alive for contemporary audiences. Also available in an accompanied version for upper voices.