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This beautiful setting of verses from the psalms was commissioned by Westminster Abbey for the wedding of HRH Prince William of Wales and Catherine Middleton. It was first performed on 29 April 2011 by the combined choirs of Westminster Abbey and the Chapel Royal, in the presence of the royal family, and was broadcast live… Read more »
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I sing of a maiden
Setting a well-loved medieval text, this effective piece paints the story of Jesus through lyrical melodies and beautiful harmonic surprises. The vocal lines offer both powerful intensity and skilful dialogue, and are supported by a pulsing keyboard part. Full score and parts are available to buy from OUP. Also available in versions for soprano or… Read more »
Fauré: Requiem (1893 version) (ed. John Rutter)
This edition presents Fauré’s masterpiece in a form which accords with his original intention that it should be a liturgical Requiem with accompaniment of organ and chamber ensemble. The 1893 version is an expansion of Fauré’s original, prepared by the composer for a performance at the Church of the Madeleine in Paris and containing two… Read more »
Victoria: Ave Maria (ed. John Rutter)
A rich and sonorous piece, originally published in 1572, this charming four-voiced Ave Maria is probably one of Victoria’s most-performed pieces.
Palestrina: Stabat mater (ed. John Rutter)
A dramatic piece, filled with light and shade – an acknowledged masterpiece of Renaissance choral writing.
Angels we have heard on high
An original arrangement of a popular Christmas carol by John Rutter. Offprinted from the collection O Holy Night.
Wood: Hail, gladdening Light (ed. John Rutter)
This resplendent double choir anthem is a cornerstone of the Anglican cathedral repertoire. Wood makes full use of the array of harmonic and textural possibilities afforded by the use of two choirs, creating a powerfully expressive and varied piece.
Ding dong! Merrily on high – carols by Charles Wood (ed. John Rutter)
This collection presents some of most attractive carols by the composer Charles Wood and the hymnodist, antiquarian, linguist, and musician G.R. Woodward, who both composed his own music and provided many of the texts set by Wood. Seven of the included carols are for Christmas, with the remaining one for Easter.
Sigh no more, ladies
The shades of Finzi and Vaughan Williams are strongly present in this delightful madrigal for unaccompanied choir. Offprinted from Rutter’s Three Shakespeare Songs, Sigh no more, ladies is a cheerfully melodious and high-spirited piece.
All bells in paradise
This gentle yet uplifting carol was commissioned for the Choir of King’s College, Cambridge, and was first performed during the 2012 Festival of Nine Lessons and Carols. Rutter’s gift for melody is in evidence throughout the work, with a sense of hushed awe leading to moments of glorious optimism. The text, written by the composer,… Read more »