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Fauré: Requiem (1893 version) (ed. John Rutter)

This edition presents Fauré’s masterpiece in a form which accords with his original intention that it should be a liturgical Requiem with accompaniment of organ and chamber ensemble. The 1893 version is an expansion of Fauré’s original, prepared by the composer for a performance at the Church of the Madeleine in Paris and containing two… Read more »

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Suite Antique

The instrumentation for Suite Antique (for flute, harpsichord and strings) is the same as Bach’s Brandenburg Concerto No. 5. The suite is made up of six movements ranging from a Bach-like Aria to a Richard Rodgers-style Waltz. Rutter’s own style comes forth most strongly in the final Rondeau with its characteristically forward-driving rhythms and beautiful… Read more »

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The Falcon

The Falcon was John’s first large-scale choral work. Written in 1969, when John Rutter was still a student, it was premiered in the chapel of King’s College, Cambridge, under the baton of Sir David Willcocks. The kernel of the work is the medieval poem that gives it its title, a poem rich with symbols of… Read more »

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Birthday Madrigals

Rutter’s music captures the varied moods of Shakespeare’s words, with their rapture, sorrow, humour, and vitality, in a way that makes these classic madrigal texts come alive for contemporary audiences. These pieces may be performed individually or as a five-movement suite. It was a lover and his lass, My true love hath my heart, and… Read more »

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Requiem

This is one of the best-loved and most widely performed choral works of the twentieth century. The texts (in Latin and English) are from the Missa pro Defunctis, the Book of Common Prayer, and the Psalms. The seven sections form an arch-like meditation on the themes of life and death: prayers on behalf of all… Read more »

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Feel the Spirit

Strong, stirring spirituals and tuneful, jazz-flavoured settings of Shakespeare’s timeless lyrics are the mouth-watering ingredients of the Cambridge Singers’ album Feel the Spirit. Vivid arrangements and settings by John Rutter and George Shearing.

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