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Lord make me an instrument of thy peace

A sensitive and moving setting of the prayer of St Francis. Score and parts available to purchase from the RSCM, (Ref: A0367) for customers in the British Commonwealth (except Canada). The piece is also included in The John Rutter Piano Album, arranged for solo piano, or available separately, here

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Cantate Domino

An unusual and dramatic anthem for SATB choir (with divisions) unaccompanied The English verses, starting ‘O sing unto the Lord a new song’, are framed by the Latin first line ‘Cantate Domino canticum novum‘. The words and plainsong melody of the Veni Creator Spiritus make an unexpected and effective entry towards the end of the… Read more »

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I my Best-Beloved’s am

I my Best-Beloved’s am was written in 1999 for a BBC Singers broadcast concert on the theme of the Seven Sacraments. This a cappella anthem focuses on the theme of marriage – setting the nuptial responses from the old Tridentine Catholic marriage service and stanzas from Francis Quarles’s poetic paraphrase of the Song of Solomon… Read more »

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A Banquet of Voices

A sumptuous programme of music for multiple choirs with the dazzling Tallis 40-part motet Spem in alium nunquam habui as the centrepiece.
This is a re-release of the classic Cambridge Singers recording, using modern digital sound restoration, allowing the music to be heard in its full sonic splendour.

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Images of Christ

A journey of the imagination, in which the figure of Christ – his Incarnation, Words, Passion, Resurrection, Ascension and Sacramental Presence – is reflected in 21 a cappella motets spanning time and space from 11th-century France to 20th-century Russia and America.

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Mass of the Children

Mass of the Children was written to bring children’s and adults’ choirs together, in the way that performing in Britten’s War Requiem did for the young John Rutter as a school chorister. The five-movement work has become popular with choirs the world over. Eight anthems and motets complete the album.

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Tarik O’Regan: Voices

Voices, a collection of 14 première recordings of the music of Tarik O’Regan, one of the most exciting choral composers to emerge in the 21st century. His music is tonal, although edgy and definably contemporary.

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